Orchestral Manoeuvres in (and out of) the Zendo – Manu Myōshin Bazzano
I’ve heard Roshi mention a few times the ‘vertical’ nature of our practice—from teacher to student, a bloodline travelling through many generations. For practitioners acquainted with ‘secular’ expressions of the Dharma (as I was when I left traditional practice for a time after studying for ten years with my teacher, Genpo Roshi), this avowedly religious […]
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